PIA Z. EHRHARDT                
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  Jean Rhys. Any novel will do (Wide Sargasso Sea, Voyage in the Dark, After Leaving Mr. Mackenzie, Quartet).
  Because she's alone in Paris in an old fur coat, drinking by herself in little restaurants, and I know just how she feels but I'd never have the guts to write it unvarnished like she does, or to drink alone like she did.
  Mary Robison's short stories, gathered right now in Tell Me.
  Because she works in a small space, but packs the whole sad world in there, and her characters do human, generous and faith-full things I can never forget.
  Donald Barthelme's short stories (Forty Stories, Sixty Stories).
  Because they're compact and erudite, a pleasure to read, la-dee-da, meanwhile they're pricking your skin with little arrows and making you feel more than you meant to.
     

 

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Pia Z. Ehrhardt.
               
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